As a side note, I was looking up Neo's name because of reasons the other day, but all I knew was that his real last name was Anderson (somehow). So I googled "Neo Anderson," and it turns out that's the name of a pretty hot model, so sometimes I have very, very good reasons why I don't get things done.
Commentary on comics, games, books, and their occasional intersection with politics and other serious business.
Showing posts with label comic. Show all posts
Showing posts with label comic. Show all posts
Thursday, August 22, 2013
Denver 5 Snag
Hey, don't have a Denver 5 thing today. Having a problem working the next storyline out. Rest assured I'm reading tons of webcomics and regular comics as, um, research for how to approach it.
As a side note, I was looking up Neo's name because of reasons the other day, but all I knew was that his real last name was Anderson (somehow). So I googled "Neo Anderson," and it turns out that's the name of a pretty hot model, so sometimes I have very, very good reasons why I don't get things done.
As a side note, I was looking up Neo's name because of reasons the other day, but all I knew was that his real last name was Anderson (somehow). So I googled "Neo Anderson," and it turns out that's the name of a pretty hot model, so sometimes I have very, very good reasons why I don't get things done.
Thursday, May 30, 2013
Denver 5 Comics, 46-50
Denver 5 is an unillustrated comic strip about a group of dicks that are vaguely acquainted with one another because they are all endowed with metahuman abilities. Character descriptions are here.
Comic 046
1. Location is inside of the building described in Comic 045. POV is over the shoulder of THUG 46-1 in the back, right corner of the store. He's behind a counter that runs the length of the back of the store with an opening on the far end, opposite the entrance. On Thug 1's left are two windows—one broken where THE SPIDER entered—and three pillars. Two other thugs are behind the pillar (Thug 46-2 and Thug 46-3). Thugs 46-2 and 46-3 are both hunched and covered in glass. The opposite wall also has three pillars with two more thugs behind it (Thug 46-4 and Thug 46-5). On the right wall are piled shelves from when the building was a convenience store. Behind them are Thugs 46-6 and THUG 46-7. THE SPIDER is in the center of the floor, Thugs 1, 4, & 5 have guns (M-16's, with optional, futuristic flourishes if you want) trained on him. He's crouching low, coming up from his three point stance when we last saw him.
2. Same shot as panel 1. Gunfire is erupting. THE SPIDER is crashing through the counter that was in front of THUG 46-1, grasping his assault rifle. The Spider's face is intimidating. Staggered above THUG 46-6 and THUG 46-7 are indistinct glints of thrown grenades (M-84 stun grenades), two each.
3. Close up on THE SPIDER, crouched on THUG 46-1's chest. Thug 46-1 is unconscious. The Spider's right arm is straight back because he's thrown 46-1's assault rifle at 46-4. You can either pan out to show his hand after the throwing motion. Alternatively, while I usually eschew motion lines for The Spider, as he's often moving too quickly for them, they would be acceptable here.
4. POV over The Spider's shoulder as he looks back and up at the grenades.
Comic 046
1. Location is inside of the building described in Comic 045. POV is over the shoulder of THUG 46-1 in the back, right corner of the store. He's behind a counter that runs the length of the back of the store with an opening on the far end, opposite the entrance. On Thug 1's left are two windows—one broken where THE SPIDER entered—and three pillars. Two other thugs are behind the pillar (Thug 46-2 and Thug 46-3). Thugs 46-2 and 46-3 are both hunched and covered in glass. The opposite wall also has three pillars with two more thugs behind it (Thug 46-4 and Thug 46-5). On the right wall are piled shelves from when the building was a convenience store. Behind them are Thugs 46-6 and THUG 46-7. THE SPIDER is in the center of the floor, Thugs 1, 4, & 5 have guns (M-16's, with optional, futuristic flourishes if you want) trained on him. He's crouching low, coming up from his three point stance when we last saw him.
Spider (Internally)
"There's a rumor I got my name from my first night out."
2. Same shot as panel 1. Gunfire is erupting. THE SPIDER is crashing through the counter that was in front of THUG 46-1, grasping his assault rifle. The Spider's face is intimidating. Staggered above THUG 46-6 and THUG 46-7 are indistinct glints of thrown grenades (M-84 stun grenades), two each.
Spider (Internally)
"I fell into a hideout, and took out eight gangers."
3. Close up on THE SPIDER, crouched on THUG 46-1's chest. Thug 46-1 is unconscious. The Spider's right arm is straight back because he's thrown 46-1's assault rifle at 46-4. You can either pan out to show his hand after the throwing motion. Alternatively, while I usually eschew motion lines for The Spider, as he's often moving too quickly for them, they would be acceptable here.
Spider (Internally)
"They think eight is my limit. So they always send nine."
4. POV over The Spider's shoulder as he looks back and up at the grenades.
Spider (Internally)
"It was fifteen."
Thursday, May 02, 2013
Denver 5 Proof of Concept, pt 06
A few months ago, I
and a friend kicked around an aborted comics project featuring
superhuman jerks being jerks on a truly superhuman level. Character
descriptions are here and the pilot plots are posted below.
Comic 026
1. Tyler Foss is in the back of a police car. Two cops, Passenger and Driver, are in the front seat.
2. Same as 1. Police officers are irritated.
3. Tight focus on Tyler through grid of the police car. His expression is scornful.
4. Original POV including all three men. The screech of brakes is prominent in the picture. Tyler is being thrown forward, painfully, into the grid. Both police officers are grinning slightly.
Comic 026
1. Tyler Foss is in the back of a police car. Two cops, Passenger and Driver, are in the front seat.
Tyler
"You know I can lift cars, right?"
Passenger
"Yeah."
Tyler
"Then why the cuffs?"
Driver
"Procedure."
"You know I can lift cars, right?"
Passenger
"Yeah."
Tyler
"Then why the cuffs?"
Driver
"Procedure."
2. Same as 1. Police officers are irritated.
Tyler
"But they do nothing. It's inconvenient for me not to break them."
Passenger
"Procedure."
"But they do nothing. It's inconvenient for me not to break them."
Passenger
"Procedure."
3. Tight focus on Tyler through grid of the police car. His expression is scornful.
Tyler
"That's stup--"
"That's stup--"
4. Original POV including all three men. The screech of brakes is prominent in the picture. Tyler is being thrown forward, painfully, into the grid. Both police officers are grinning slightly.
Driver
"Red light."
"Red light."
Thursday, April 11, 2013
Denver 5 Proof of Concept, pt 04
A few months ago, I
and a friend kicked around an aborted comics project featuring
superhuman jerks being jerks on a truly superhuman level. Character
descriptions are here and the pilot plots are posted below.
1. View of Doctor Roberts' office. GUY DREIL stands at the door, opposite DOCTOR ROBERTS, who's sitting at his desk. There should be bookshelves along the wall closer to Bob and a window closer to Guy.
Smith (CAPTION BOX)
"My name is Thomas Smith."
Guy Dreil
"You don't seem concerned. He's left the compound without permission."
Smith (CAPTION BOX)
"I'm not in this one."
2. Still in Dr. Bob's office.
Smith (CAPTION BOX)
"I was thinking about lies today."
Dr. Roberts
"Of course not. In all likelihood he went home to visit his parents."
Smith (CAPTION BOX)
"There are plenty of factual things which are perfect lies."
3. TYLER is in a club, dancing with TASHA, an attractive woman his age.
Smith (CAPTION BOX)
"...and more falsehoods that are the truth."
Tyler
4. Still in the club.
Smith (CAPTION BOX)
"Sometimes, two people lie because they want to believe."
Tasha
"Really? That's cool."
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